![]() "Casino Royale" for me is like devouring a banana split. He signed on multiple directors, including John Huston and Hammer vet Val Guest, with the idea of taking all things Bond – the babes, the gadgets, the implausible plots and fashions – and making one giant laugh fest, a kind of "It’s a Mod, Mod, Mod, Mod World." Ah, the best laid plans of mice and producers… The resulting film barely resembles anything espionage with the humor teetering between feeble parody, "Playboy"-style sex jokes and, occasionally, a belly laugh. Broccoli, Feldman decided that his version would be the ultimate Bond spoof. Possessing the rights to Ian Fleming’s first novel of the suave super spy James Bond but unable to capitalize on it due to the success of the "serious" Bond films by Harry Saltzman and Albert R. At the top of my guilty pleasures list - by a good twelve parsecs – is the 1967 mega bomb "Casino Royale."įor the uninitiated, "Casino Royale" was the brainchild of producer Charles K. For whatever reason – psychological baggage, wish fulfillment or just plain self-imposed ignorance – certain movies lacking in technological or narrative capability somehow reach inside and unlock something so personal that we can’t help but enjoy the mediocrity unfolding before us. ![]() You know, those movies we’re ashamed to like but have no shame in admitting we like. When it comes to the movies, everyone has their guilty pleasures.
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